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Something Wicked

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Ray Bradbury John Mortimer. Walt Disney Productions Bryna Productions. Dark Diane Ladd as Mrs. Crosetti Jack Dodson as Dr. Douglas Bruce M. Fischer as Mr. Tetley Ellen Geer as Mrs. Retrieved New York: William Morrow. Film Music Reporter. December 8, Retrieved December 8, Chicago Sun-Times. Retrieved December 16, The New York Times. Rotten Tomatoes. September 2, Films directed by Jack Clayton. Ray Bradbury. Saturn Award for Best Fantasy Film. Categories : films English-language films horror films s fantasy films American fantasy films American films Circus films Films based on works by Ray Bradbury Films based on fantasy novels Films based on American horror novels American supernatural horror films American supernatural thriller films Films directed by Jack Clayton Films set in the s Films scored by James Horner Dark fantasy films Walt Disney Pictures films Films based on American novels Bryna Productions films Films about witchcraft Screenplays by Ray Bradbury.

Hidden categories: Articles needing additional references from March All articles needing additional references All articles with unsourced statements Articles with unsourced statements from March Namespaces Article Talk. The Big Freeze by Laura Stevenson. Gorgeous indie folk from Laura Stevenson glows with intimacy and warmth.

Phases by Angel Olsen. This "distinctly New York record" finds the band looking for love with their signature psychedelic sound. Explore music. Something Wicked by Skye Wallace.

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Nicholas Neagle. Dim Sergeyev. Michael Bourgeois. Casey Johnson. Christopher Lawson. Cooger is nowhere to be found. Inside the tents they find him all set up as a new act, "Mr. Electrico", a man they run electricity through. Dark tells the boys to come back to the carnival the next day.

Will tries to keep his father out of the situation, promising him that he will tell all soon.

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  • That night, the Dust Witch floats by in her balloon to find Jim and Will. Will lures her to an abandoned house and destroys her balloon with a bow and arrow. They later both dream of a bizarre funeral for the balloon, featuring a giant, misshapen coffin. The next day the boys find a girl crying on the curb and realize she is the former Miss Foley made young again but also totally blind. They assist her to her house, but when they return they're cut off by a parade. The carnival is out searching the streets for the two of them.

    The boys hide, and Will's father spots them hiding under a storm drain in front of the cigar store. The boys convince him to keep quiet. Dark later arrives to talk to him. Holloway pretends not to know the two boys, whose faces are tattooed on the man's hand, but when the Witch comes and begins to sense the boys' presence he blows cigar smoke at her, choking her and forcing her to leave. Dark then asks Charles Holloway for his name, and Will's father tells him he is the town library's janitor.

    That night Will and Jim meet him at the library where he has done research into his own father's ministerial notes.

    The carnival arrives once a generation, and leaves in the midst of a giant storm. Dark appears, and the boys hide in the book stacks.

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    He discovers both of them and crushes the janitor's hand when Mr. Holloway attempts to fight him. The tarot witch casts spells on the boys to mesmerize them and also tries to stop Mr. Holloway's heart. Just before he is about to die, Charles looks at the Witch and begins to laugh hysterically. His laughter wounds her deeply and drives her away.

    Something Wicked Came Undone

    He then follows Mr. Dark to the carnival to rescue the boys. At the carnival, Charles triumphs over Mr. Dark, finds his son in the mirror maze, kills the Witch with a smile on a bullet, and destroys all the mirrors in a matter of minutes, all through the use of laughter and cheer.

    Then he and Will search for Jim. Cooger turns to dust and blows away before he can be saved by the carousel. Jim runs to the merry-go-round and rides it forward. Will tries to stop him and grabs onto his leg. They both end up going for a ride before Will jumps off and rips Jim away from the machine.

    Jim falls into a stupor, close to death. A child comes begging them to help him, but Mr. Holloway recognizes the boy as Mr. He holds the boy tight and kills him with affection, because Mr. Dark cannot survive in such close contact with someone so happy. The carnival falls apart as Will tries to revive Jim. They save Jim by singing and dancing and laughing, their happiness bringing him back from the edge of death.

    Something Wicked This Way Comes can be interpreted as an allegory of the struggle between good and evil , with the human characters Will, Jim, and Charles on the side of morality, and Mr. Dark and his carnival on the side of sin and temptation. As in many other fictional works revolving around the same concept, good prevails in the end, not with supernatural or physical powers, but with purity of heart.

    Jim represents good that is always on the verge of giving into temptation, while Will, though he has crises and doubts, is the part of us that resists giving in. As in Dandelion Wine , Bradbury infuses the novel with nostalgia for his childhood. However, Dandelion Wine embodies the idyllic memories of youth, whereas Something Wicked This Way Comes superimposes folk-tale and supernatural elements over a small-town Americana setting in order to explore the dark undercurrents that surround the transition to adulthood.

    The carnival's main allure to its participants is its ability to change age easily against natural causes. Jim wants to become an adult by riding the carousel forward, and Charles Halloway initially considers riding the carousel backwards. Even Will is somewhat tempted by the offer for a free trip to adulthood. Charles, however, quickly sees that a ride on the carousel can have unforeseen consequences, because despite age being changed instantly, the carousel would not change the mind.

    Or if they turned me into a boy of ten this instant, my brain would still be fifty and that boy would act funnier and older and weirder than any boy ever. Because of this, a person who rode the carousel would be reformed only physically, with the same sins and emotions contained inside.

    Moreover, his new physical form, created unnaturally, would alienate him from his family and peers, leaving him with nowhere to turn except for the carnival.

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    Charles best personifies this theme; while he is middle-aged in body, he is still youthful in mind and spirit. At first, he sees the two conflicting personas within him as irreconcilable and longs to be physically young too, but his active participation in toppling the carnival proves to him that mental fitness and perception of one's age is more important than physical health. Will and Jim can be said to have aged prematurely in the novel; the horrors of the carnival force them to grow up fast to be able to deal with its tricks on a knowledgeable level.

    Furthermore, Will and Jim do take a brief ride on the carousel before Will pulls Jim off, and they are never shown reversing this process before Charles destroys its machinations. Thus, it can be stated that they, in fact, grow up slightly.